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Alternative Titles: Everett LeRoi Jones, Everett Leroy Jones, Imamu Amiri Baraka, LeRoi Jones Amiri Baraka, also called Imamu Amiri Baraka, original name Everett Leroy Jones, called Leroy Jones, Leroy later changed to LeRoi, (born October 7, 1934,, New Jersey, U.S.—died January 9, 2014, Newark), American poet and playwright who published provocative works that assiduously presented the experiences and suppressed anger of black Americans in a white-dominated society. After graduating from (B.A., 1953), Jones served in the but was dishonourably discharged after three years because he was suspected (wrongly at that time) of having communist affiliations. He attended graduate school at,, and founded (1958) the magazine Yugen, which published the work of writers such as and; he edited the publication with his wife, Hettie Cohen. He began writing under the name LeRoi Jones in the late 1950s and produced his first major collection of poetry, Preface to a Twenty Volume Suicide Note, in 1961. His first significant, (1964; film 1967), which recounted an explosive confrontation on a train between a black and a white woman who murders him, won the 1964 Obie Award for best Off-Broadway American play. Following the assassination of in 1965, Jones became increasingly focused on, That year he left his white Jewish wife and moved to.

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There he founded the, which staged many of his works prior to its closure in the late 1960s. In 1968 he adopted the name Amiri Baraka, and his writings became more, prompting some to applaud his courage and others to deplore that could foster hate. In the mid-1970s he became a, though his goals remained similar.

“I [still] see art as a weapon and a weapon of revolution,” he said. “It’s just now that I define revolution in Marxist terms.” His work from this period was seen by some as becoming increasingly and. His position as poet laureate of was abolished after he published the searing 2001 poem Somebody Blew Up America, which suggested that had prior knowledge of the in the. Among Baraka’s other works are Blues People: Negro Music in White America (1963), Black Magic: Collected Poetry 1961–1967 (1969), The Autobiography of LeRoi Jones/Amiri Baraka (1984), and the piercing Tales of the Out & Gone (2006), a fictional social commentary. Baraka taught at Columbia,, and, from 1979, at the at Stony Brook, where at the time of his death he was emeritus professor of Africana studies. S O S: Poems 1961–2013 (2015) was a posthumous collection containing a wide selection from his, including some previously unpublished verse.